This photograph appealed to me because it brings together several layers of modern city life in a single frame. At the centre is a small public interaction: a Japanese calligrapher seated behind a folding table, with a small group gathered in front, watching or waiting. Behind them, the polished retail...
There are photographs where the subject is obvious, and others where the photograph comes from the relationship between several small things. Passing Fifty is the latter. An old stone building fills most of the frame, almost bleached by the hard sunlight. Its chimneys and textured masonry feel permanent, while a...
Some photographs feel modern. Others seem to belong to another time entirely. This image of the Hahndorf Lutheran Church has that timeless quality, and a great deal of that comes from Pan F 50. The film’s fine grain, crisp detail and restrained tonal range give the photograph a classic character...
Some photographs work because of what is happening. Others work because almost nothing is happening at all. Striped Silence is one of those quieter frames. A woman sits alone on a bench, her striped top immediately pulling the eye into the foreground. Beyond her, another figure moves through the softer...
There is something I love about photographing places where nothing particularly remarkable is supposed to happen. At the Counter was made on Kodak Tri-X 400, inside a camera shop, during one of those completely ordinary transactions that most of us would walk past without a second thought. A customer waits...
Some photographs are really about a person. Others are about a place. Beneath the Glass sits somewhere between the two. The architecture is immediately dominant: the enormous stained-glass ceiling, repeating arches, columns and decorative patterns all pull the eye upward. Then, almost in opposition to that grandeur, there is a...
A study in liminal photography. There’s something quietly unsettling about this image—and that’s exactly what makes it so compelling. At first glance, it’s just a corridor. Clean, modern, well-lit. A functional architectural space designed for movement. But the longer you look, the more it begins to shift. It stops being...
Shot on Kodak Ektar 100 with a Leica MP and 50mm Summilux, this image leans into one of Ektar’s greatest strengths: clean separation. Nothing bleeds. Nothing muddies. Each element holds its place. The scene is deceptively simple. A modern civic building—white façade, turquoise windows, a sharp block of red signage—set...
