The history of Leica optical design dates back more than 150 years and speaks to innovative engineering, uncompromising precision and outstanding quality. This applies especially to Leica M lenses. One of the most versatile among them has now been redesigned to provide even more flexibility for creators: the Leica Summilux-M 35 f/1.4 ASPH.
I’ve had the Leica 28mm F1.4 Summilux for 3 months at the time of writing this review. In that time I’ve trialled it for landscapes, close ups, low light. All the samples in this review are unedited, I want to show you a true indication of what the lens is capable of, and let you edit them for yourself to your liking.
Maximum performance in a compact construction: the APO-Summicron-M 35 f/2 ASPH sets new benchmarks.
What is new and special about the 35mm Summicron APO is that now we can focus down to 30cm to our subject whereas previously it has been 70cm.
Classics never die I guess. I tried the 50mm 0.95 Noctilux some time ago on my MP and review and thoughts here.
With the Noctilux-M 50 f/1.2 ASPH. Leica is re-issuing a lens that occupies a very special place in the company’s history.
Model Number 11145
46mm Filter Thread
F3.4 to F16 Apature Range
Four Low Dispersion Elements
One Double Sided Aspherical Element
Angle of View [diagonal/horizontal/vertical] 90°/80°/50° (when used on a 35mm sensor or film camera
8 Lenses in 7 groups
With the manual focus, you can focus as close as 70cm or 2.3’
263grams (this is important to consider for landscape photography)
Metal screw on lens hood.
After testing, I am confident to say this lens is sharp all the way from F2.8 to F16 and only falls over when you each F22.
My test wasn’t exactly scientific. I’m not a pixel peeper. I don’t buy lenses just to test them.
Kodak Portra is a professional level film admired for it’s high level
of detail from a very fine grain, smooth, natural colours but still
with a bit of punch and richness, open shadows without crushed blacks
and for being hard to blow out highlights.
So…I got to try a Noctilux! But unfortunately only for 1 hour. The Leica Noctilux is the lens most Leica users strive for. At nearly $A15,000 new, this is a 50mm price F0.95. Yep, thats right, F0.95. I don’t techically know how a lens can go below F1.0 (which is what the original Noctilux was), but this lens is super shallow, makes night come alive, and wow, it is just everything Leica stand for in a lens.
I’m a Leica Street photographer. I am, by my own admission a gear nut, but I don’t buy gear just to test it or pixel peep. I’m only interested in the art that can be produced with the gear. And seeing what emotions can be brought out in those who see my photos.